At the bottom of the page to the left your content information will be listed. About halfway down the page and centered, you’ll have the title of your work all caps and underlined, followed by your name and the date it was finished. And most typewriters were 12-point courier, so it became the industry standard that endured the test of time. Why that style and size? Remember, before there were computers, word processors, and the like, typewriters were the tool of the trade. You’ll be using a 12-point courier font throughout your screenplay, from the title page to the final page. There are also many online script format templates and screenwriting software you can use if you prefer. Then you’ll be ready to write when the mood strikes you. If you plan on writing a lot of screenplays, you may want to set up a template with preset margins, indents, fonts, and so on. And that’s the whole point of writing a screenplay, right? Unless you plan on producing, directing, running the cameras, and almost every other job on the set, the proper screenplay format will make it easier for everyone to follow your vision. These are the standard rules you must follow if you want it to be read. And when it comes right down to it, how to write a screenplay format is a relatively easy endeavor. Everything down to the font type and size has been used for nearly a century because it works. That’s all thanks to standard screenplay formatting. If a producer is looking for a 90-minute film, and a screenplay has 200 pages, they can move on to the next. So a screenplay with 120 pages is a two-hour feature film more or less. With the right formatting, one page of a screenplay roughly translates to one minute of film. ![]() Why work with an amateur if they don’t have to? They can also tell how long a movie will be just by looking at the number of pages in a screenplay. Studio heads can get some basic information about the screenplay even before reading through the first few pages of a screenplay when these formats are followed.įor starters, a properly formatted screenplay shows a certain amount of professionalism, that you understand how the business works. So they don’t, and screenplays that don’t follow the recognized formatting are the first to be ignored. Still, it would be near impossible to get through 50,000 submissions! By following the industry-standard guidelines for writing a screenplay, script readers and decision-makers are able to get through the materials much faster. With such a massive amount of potential movies to read through, the process needs to be streamlined. That’s a lot of screenplays for movie studios to go through, especially if only 100-200 spec scripts make it to the film production stage. The Writer’s Guild of America says they get 50,000 script submissions a year! And we have to assume that not every screenplay gets registered with the WGA (which is a mistake, but more on that later). If everybody turned in papers with different formatting, it would take forever to get through all of those papers! It’s the same concept when it comes to how to write a screenplay format. When it comes to how to write a screenplay format, it’s not much different.įor a teacher, however, the standardized format made it much easier to go through dozens of papers on, say, the Roman Empire. As a student, it was the height of tedium. ![]() You had to follow MLA style, use assigned margins and spacing for the text, and develop a specifically formatted work cited section. It’s not enough to simply write “SHAMUS’ P.O.V.At some point, we all had to write a paper of some kind in high school. This slug line must state the character by name and refer to what the character sees. When a shot originates from a particular character’s point-of-view, it’s customary to break it out with its own slug line. In this particular instance, it would also be acceptable to break the sequence into separate scenes, using “BLEACHERS” in the scene heading. ![]() ![]() If we wish to cut to a character named Ned in the bleachers of a football game, for example, we’d insert “NED” (without the quotes) as a shot element or slug line. While scene headings usually have two blank lines above them, slug lines always have just one. Action or description cannot appear next to it on the same line, but must follow the slug line in a new paragraph. This actually reads better than writing it as a camera direction, such as “ANGLE ON PARKER.”Įach slug line is its own element.
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